Seminar, three hours. Requisites: courses 405, 409. Limited to and required of first-year MFA production program students. Technical and aesthetic aspects of postproduction sound recording, editing, and rerecording for film and television. Application of principles of sound design to student films while using UCLA's John Candy Room and Scoring Stage for Automatic Dialogue Replacement (ADR), Foley, and mixing. Use of Pro Tools LE for recording, editing, and mixing, selection and use of microphones and mixing consoles, and incorporation of Final Cut Pro soundtracks into mix environment. Students record ADR and Foley and present mix of edited dialogue/ADR, Foley, sfx, and music tracks by end of term. Letter grading.